No Oscars For One Love Movie, But At Least Marley Actor Was A Ken In Barbie.

Photo: Warner Bros. Kingsley Ben-Adir played the role of one of the many Kens in the movie Barbie, which was very popular at the box office.
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There were no Oscars or even nominations for the popular movie Bob Marley–One Love, the musical biopic about the legendary reggae star from Jamaica, even though lead actor Kingsley Ben-Adir was at the Oscars in connection with his performance as a Ken in Barbie.

Barbie had several nominations, but only one Oscar, somewhat ironically for Best Song.

The big winner of the night was the movie Oppenheimer, a lengthy biopic about the scientist who led the development of the atom bomb in the Manhattan Project during World War II.

As a result the United States was able to use the atom bomb to target the cities of Hiroshima and Nagasaki in Japan, and bring the Second World War to a quick end.

After passing over arguably Hollywood’s foremost big-screen auteur for years, the Oscars made up for lost time by heaping seven awards on Nolan’s blockbuster biopic, including best actor for Cillian Murphy, best supporting actor for Robert Downey Jr. and best director for Nolan.

In anointing “Oppenheimer,” the Academy of Motion Pictures Arts and Sciences did something it hasn’t done for more than a decade: hand its top prize to a widely seen, big-budget studio film. In a film industry where a cape, dinosaur or Tom Cruise has often been a requirement for such box office, “Oppenheimer” brought droves of moviegoers to theaters with a complex, fission-filled drama about J. Robert Oppenheimer and the creation of the atomic bomb.

Protest and politics intruded on an election-year Academy Awards on Sunday, where demonstrations for Gaza raged outside the Dolby Theatre in Los Angeles, and awards went to “Oppenheimer,” “The Zone of Interest” and “20 Days in Mariupol.”

Sunday’s broadcast, hosted by Jimmy Kimmel, had plenty of razzle dazzle, including a sprawling song-and-dance rendition of the “Barbie” hit “I’m Just Ken” by Ryan Gosling, with an assist on guitar by Slash. A sea of Kens swarmed the stage.

“Barbie,” last year’s biggest box-office hit with more than $1.4 billion in ticket sales, didn’t win an award until almost three hours into the ceremony. It won best song (sorry, Ken) for Billie Eilish and Finneas’ “What Was I Made For?” It’s their second Oscar, two years after winning for their James Bond theme, “No Time to Die.”

But after an awards season that stayed largely inside a Hollywood bubble, geopolitics played a prominent role. Protests over Israel’s war in Gaza snarled traffic around the Dolby Theatre in Los Angeles, slowing stars’ arrival on the red carpet and turning the Oscar spotlight toward the ongoing conflict. Some protesters shouted “Shame!” at those trying to reach the awards.

Jonathan Glazer, the British filmmaker whose chilling Auschwitz drama “The Zone of Interest” won best international film, drew connections between the dehumanization depicted in his film and today.

“Right now, we stand here as men who refute their Jewishness and the Holocaust being hijacked by an occupation which has led to conflict for so many innocent people, whether the victims of October the 7th in Israel, or the the ongoing attack on Gaza, all the victims, this dehumanization, how do we resist?”
The war in Gaza was on the minds of many attendees, as was the war in Ukraine.

A year after “Navalny” won the same award, Mstyslav Chernov’s “20 Days in Mariupol,” a harrowing chronicle of the early days of Russia’s invasion of Ukraine, won best documentary. The win, a first for The Associated Press and PBS’ “Frontline,” came as the war in Ukraine passed the two-year mark with no signs of abating.

The Oscars belonged largely to films that opened in movie theaters, not streaming. Though it came into the awards with 19 nominations, Netflix was a bit player. Its lone win came for live action short: Wes Anderson’s “The Wonderful Story of Henry Sugar,” based on the story by Roald Dahl.

While “Barbie” bested (and helped lift) “Oppenheimer” at the box office, it took a back seat to Nolan’s film at the Oscars. Gerwig was notably overlooked for best director, sparking an outcry that some, even Hillary Clinton, said mimicked the patriarchy parodied in the film.

Source: VOA/AP

 

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